Lights! Planets! People! Vault Festival: How often do you see a 60-year-old bipolar lesbian scientist on stage?

Lights! Planets! People! starring Karen Hill at the Vault Festival (Photo: Dave Guttridge)

Before we get into the actual content, this one-woman show is diversity personified – Maggie Hill is a 60-year-old lesbian with bipolar working in STEM. When writing the piece, TV and radio scriptwriter Molly Naylor said: ‘I wanted to create a character and setting in which complex ideas could be shared and discussed through an accessible story. Space, mental health and relationships are topics that seem to fascinate us endlessly. Creating the character of Maggie has allowed me to explore them with new depth, insight and scope.’

This is Vault Festival’s raison d’etre; itshould be celebrated for giving a platform to diverse and thought-provoking stories that would never appear in the West End but are still worthy of an audience.

Karen Hill plays Maggie, a space scientist tasked with giving a series of talks to inspire young women to get into STEM – and is worried about having a panic attack while giving a presentation. She visits a therapist for the first time ever in search of some coping strategies – but can’t seem to get the therapist to stop poking around in other areas of her life – notably her break-up with her girlfriend.

It’s a gently funny story that brings a focus on to issues that are rarely discussed or seen on stage and that’s refreshing in itself. As a show it feels slightly static – which admittedly is always a problem with a one-person shoe – Maggie goes from sitting stage right in her therapist’s chair to standing upstage centre to give her presentation, and back again. There is also a prolonged lull when she gives the talk to young girls, which feels exactly like sitting in a lecture hall at a TED Talk, rather than a piece of theatre.

However these are minor quibbles: the arc and expanse of the show are vast and impressive: relationships, mental health, women in science, oder women on stage – it’s all touched upon smartly and cleverly. It wasn’t the most dynamic of shows I’ve seen at the Vault this year, but it certainly didn’t fail to launch a few new ideas in the audience’s minds either.

Until 17 March at Vault Festival